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My Surroundings

Friday, December 5, 2003

I always enjoy seeing other people’s studios and work stations, so here are a couple pictures of my working environment.  As you can see, it’s a delicate ecosystem…



You can see some of my robots, including Voltron, Robbie, and Gigantor; a Gizmo statue, my Chris Ware lunchbox, the first issue of GUM, and a year-old christmas card from John Kerschbaum.

Toys!

More toys!

Even more!

A good chunk of my robot collection.  Although upon closer inspection it’s clear that one of these things does not belong here.

This last picture deserves some explanation… my parents, on my birthday, mailed (to my office) this weird fake cat on a bed of tinsel.  There’s really no explanation, but it’s quite funny.  He’s gained an adoring fanclub around the office and has adopted the name Stiffy.

llessur

Friday, December 5, 2003

My good friend Russell is having his first solo photography show in Toronto this weekend, for all those who are interested.  He has a great sense of humour and sense of design, both of which show in his work.  Check it out if you can.

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Get Fuzzy, Canada Style

Thursday, December 4, 2003

Bucky and Satchel of Get Fuzzy spent this week and last in Halifax and Antigonish.  It’s nice to see intelligent and honest Canada jokes (in American entertainment) that don’t resort to beer, Celine Dion, and “Eh” jokes.  Go give ‘em a read and see why Darby Conley’s strip is one of the best in the papers today.

Boff!  Zapp!  Gloosh!

Thursday, December 4, 2003

Brett Lamb is a local Toronto cartoonist whose blog I visit regularly—today he links to me and has some very kind words!

Brett, I assure you there’s nothing to be jealous of.  Besides, you get the joy of being able to sign your name with the onomatopoeic BLAMB! which has a coolness factor surpassed only by comic artist Stephen Platt, who of course, can sign his name SPLATT!

Go check out some of Brett’s comics.  They’re blambtastic.

Some Designy-Type Things

Wednesday, December 3, 2003

Okay, designers—prove your worth with this visual quiz: Arial or Helvetica?

Also, check out the gorgeous designy-type gifts at 9th Exhibition.  Lots of cool stationery, housewares, and vintage toys!

Designing any logos recently?  Need some inspiration?

This site seems to collect old British tv logos and, for some reason, recreates the retro tv graphics in flash.

And finally, some photos of Toronto.  (look hard enough and you can even see where I work)

Wheeze!

Tuesday, December 2, 2003

I haven’t been updating the Sketchbook Journal lately, waiting for better inspiration I suppose.  But the last week of my life pretty much looks like this anyhow:

koff.jpg

A Calvinist Hermitage

Monday, December 1, 2003

Bill Watterson is unique for several reasons, not the least of which is his adament refusal to merchandise his strip Calvin & Hobbes (The strip is about a stuffed tiger for chrissakes!).  But when Watterson retired at his prime, at the height of his strip’s success, he pulled a J.D. Salinger and up and disappeared.  A recent story in the Cleveland Scene suggests that not much has changed for Chagrin Falls’ most famous recluse.  If anything, the cartoonist is even more private now.

The writer of the article mentions that it is rumoured that Watterson burns every oil painting he does upon its completion, fully adhering to the adage “the first 500 paintings are always just practice”.  I hope this is true if only because it adds to the crazy hermit image that I find so appealing about Watterson (and all hermits for that matter).  Even if it isn’t true I love that such a rumour even exists.

“Y’hear about old Bill Watterson?  Folks say he went mad up on that hill.  Say he done killed a man.  Say he wears nothing but crinoline, eats plastic, and talks to the ghost of his dead mule Willoughby.  Say he’s never been the same since his boy done got caught peeing on all them trucks.

Rasta-fy Him By About 10%

Friday, November 28, 2003

Last week was Mickey Mouse’s 75th birthday.  According to the NY Times, that doesn’t mean much for Walt’s pocketbook.

Mickey-related ephemera used to account for 50% of Disney’s consumer products.  It now accounts for less than 40% and is steadily dropping. He’s now outsold by a certain ursine hunny-muncher named Pooh.

Disney really shouldn’t be surprised.  Ever since they turned Mickey from a star attraction to a corporate symbol he’s lost all character.  Honestly, he didn’t have much to begin with, but he at least used to be an insecure, faltering boob.  Not exactly the ideal image of a corporate identity, but hey, it’s better than being boring.

Mickey should take a page from the book of Spongebob—a successful commercial commodity who revels in his own stupidity and nerdiness!  The committees behind these things need to learn that these characters became popular on their own for a reason—they don’t need help being ‘cool’.  I never want to see another airbrushed Tasmanian Devil wearing sunglasses and a sports jersey striking a cool pose and holding a skateboard. 

“You’ve heard the expression ‘let’s get busy’? Well, this is a dog who gets ‘biz-zay!’ Consistently and thoroughly.”

Y’know, Eunoia

Thursday, November 27, 2003

No doubt this collection of word oddities was culled (not misconjugatedly) by a group of ultrarevolutionaries and subbookeepers who didn’t mind the overnumerousnesses of the uncopyrightable.

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I’ll Get You Next Time, Gadget!

Wednesday, November 26, 2003

Many TV shows have adopted the convention of having a character whose face we never see.  Home Improvement had the philosophizing Wilson.  The Powerpuff Girls have the buxom Sarah Bellum.  The Vera jokes on Cheers worked so well, they migrated directly to Frasier in the form of Maris…

But no other unseen character was quite as captivating as Inspector Gadget‘s Dr. Claw.  Well, friends, I’m here to tell you that your wait is over!  The face of Dr. Claw was actually revealed many years ago with his very own action figure.

Are you ready for it?  Prepare to be disappointed!

Engrish as a Secont Languidge

Tuesday, November 25, 2003

For my birthday this weekend I received a charming little alarm clock in the shape of a robot.  Here’s what the box has to say:

A lovely robot clock with various exciting characters:

  • When the alarm time is on, the robot will be shaking along with the music rhythm.
  • Lifting the left arm up & down for volume control
  • The impressive illusion on the head gives the robot an alive feature.

  • Robot clock is definitely something you can not move your eyes on it by a glance.  It’s a perfect gift for every boy and man.

    Sorry, ladies!

Cartooning for Civilized Persons in This Modern Age

Tuesday, November 25, 2003

I’m stuck at home with the flu, but when I stepped out to take a quick run to the drugstore, I couldn’t help but pop my head in the nearby comic store.  Besides, I’m sick, and I could use some reading material…

I managed to pick up a copy of Joe Matt’s Fair Weather, but more interestingly, I found a musty old first edition from 1926, “How to Draw Cartoons” by Clare Briggs.

The book has a sparce handful of actual cartoons by Briggs, which by today’s standards are remarkably unfunny, but I’m finding that the text of the book with its dry, almost scientific tone, is quite funny in itself.  Observe this passage on coming up with an idea:

The idea should be of general interest.  For instance, if the idea dealt with eating, it would be of immediate interest to everyone because we are all required to eat.  Indeed, it is said that we spend about one-fourth of the entire national income on food.  The same pertinency would be true of clothes because we all have to buy and wear raiment of some sort.

And this paragraph reads like a flat-out parody of the language of the 1920s:

The grand old man of cartooning is Frederick Opper--or F. Opper, as the nestor of our profession prefers to sign his drawings.  He has been drawing steadily for more than forty years, but has never been left behind in the forward procession.  Opper is foremost a satirist.  His work has been a wonderful example of the ridiculous cartoon, fully as effective as the lampooning cartoons of Davenport.  He knows the way to get under the skin; his has been the art of pictoral sarcasm.  Opper handles his pen in a way to obtain loose and broad effects.  He has always been economical in his lines.  Perhaps this accounts, in a measure at least, for his amazingly prodigious output.  It has seemingly been nothing for Opper to draw a daily cartoon and turn out a full page depicting the misfortunes of Happy Hooligan, the terrible kick that “Hee Haw and Her Name Was Maud” carried in her heels or the doings of that gallant pair, Alphonse and Gaston.

Of course, he doesn’t show any examples, so his florid descriptions of this artwork, I suppose, was all that was needed to teach this fine art back in 1926!

Jesus Christ, Not Again!

Friday, November 21, 2003

Usually when Johnny Hart finds himself under fire it’s for the obvious Christian allusions and prelection in his comic strip B.C..  I don’t remeber there being any cavemen in the bible, but I’m sure he knows what he’s talking about.

However, with this strip he’s caused quite a stir in that some believe the word ‘SLAM’ and the cresent moons refer to Islam.  The Washington Post has the story.

Hart claims it was just bathroom humour.  “Farts are stinky?  Get it?” But considering he seems to wipe his ass with Judaism in this Easter strip, I question his definition of “bathroom humour.”

The RoJo Top 40

Thursday, November 20, 2003

The Guardian recently released lists of their Top 40 British and American bands.  Now while I agree with some of their choices, I certainly have my own opinions.  And what’s the point of having a blog if I don’t try to force my opinions onto my loyal readers!

Being Canadian, I of course won’t localize my lists to the UK or US, or even to this decade… What follows then, I guess, is simply a list of the 40 bands and artists that are my favourite, that I grew up listening to, or are just current favourites.  Their importance is simply that they are important to me.  (Oh, and the list is numbered in reverse simply because I’m too lazy to figure out how to make it count in descending order)

It was tough to narrow all the music I listen to down to just 40 acts.  Some venerable performers just didn’t quite make the cut (Matthew Sweet, The Cure, Grant-Lee Phillips) and others are perhaps only worthy of honourable mention (Super Furry Animals, Belle & Sebastian, Papas Fritas)

So without further ado…

  1. Harry Nilsson
  2. Dan Bern
  3. Frank Sinatra
  4. Lou Barlow
  5. /The Folk Implosion
  6. Paul Westerberg
  7. Bjrk
  8. Pizzicato Five
  9. Frank Black
  10. / The Pixies
  11. Neutral Milk Hotel
  12. David Bowie
  13. Mojave 3
  14. Bright Eyes
  15. They Might Be Giants
  16. Elvis Presley
  17. Cat Power
  18. Ben Folds
  19. Chris Brown & Kate Fenner
  20. The Beastie Boys
  21. David Byrne
  22. / Talking Heads
  23. Pavement
  24. Suede
  25. Yo La Tengo
  26. My Morning Jacket
  27. The Posies
  28. The Magnetic Fields
  29. Smog
  30. Cracker
  31. Blur
  32. Modest Mouse
  33. Elliott Smith
  34. U2
  35. Pulp
  • Lambchop
  • Vic Chesnutt
  • The Flaming Lips
  • The Beach Boys
  • Wilco
  • Elvis Costello
  • R.E.M.
  • Rheostatics
  • Yankee Hobbit Foxtrot

    Wednesday, November 19, 2003

    Speaking of Lord of the Rings, any Wilco fans out there notice the resemblance between singer Jeff Tweedy and “Hama, the Rohan Doorward”?  Every time I watch this scene I half expect this guy to break into song…

    tweedy-hama.jpg

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